“But why should you give up your art?” persisted Joan. It was that was sticking in her mind. “I should have thought that, if only for the sake of the child, you would have gone on with it.” “But you’ll get out of that,” suggested Joan. “You’ve got the actress face.”!

She looked back at the end of the platform. He had not moved. But the dyed hair and the paint put up a fight for themselves.

“I didn’t know it was going to be such a swell affair, or I shouldn’t have come,” he said. “You will find her changed,” she said. “Mentally, I mean. Though she will try not to show it. She was dying for your sake—to set you free. Hilda seems to have had a talk with her and to have spared her no part of the truth. Her great love for you made the sacrifice possible and even welcome. It was the one gift she had in her hands. She was giving it gladly, proudly. So far as she was concerned, it would have been kinder to let her make an end of it. But during the last few days I have come to the conclusion there is a law within us that we may not argue with. She is coming back to life, knowing you no longer want her, that she is only in the way. Perhaps you may be able to think of something to say or do that will lessen her martyrdom. I can’t.” “My third,” the Human Document corrected her. “After Eustace, I married Ivanoff. I say ‘married’ because I regard it as the holiest form of marriage. He had to return to his own country. There was a political movement on foot. He felt it his duty to go. I want you particularly to meet the boy. He will interest you.”